{"id":3341,"date":"2012-11-05T05:00:37","date_gmt":"2012-11-05T13:00:37","guid":{"rendered":"http:\/\/www.yardi.com\/blog\/?p=3341"},"modified":"2020-12-24T01:07:40","modified_gmt":"2020-12-24T09:07:40","slug":"beating-back-boring","status":"publish","type":"post","link":"https:\/\/www.yardi.com\/blog\/beating-back-boring\/","title":{"rendered":"Beating Back Boring"},"content":{"rendered":"
\"Orange<\/a>
Orange Cube – Jakob Macfarlane Architects, Lyon France<\/figcaption><\/figure>\n

Without making a few drastic changes to the way that American students see creativity, Americans will continue to lag behind other nations in innovative architecture.<\/p>\n

As the daughter of a very zealous architect, I have grown up tuned-in to the trends that pass through the world of architecture. Our coffee table was stacked with photography books depicting the boldest, most ingenious designs. As a teen, though, I looked at those texts like images from another world. They differed from the boring block school that I attended or the quadrant-riddled hospital a block from my house. Those fancy buildings were elsewhere. Like Sweden.<\/p>\n

Not much has changed since I was a teen and the rest of the world is beginning to take notice.<\/p>\n

With the exception of a few shining stars (Skidmore, Owings & Merrill <\/strong>and Steven Holl <\/strong>come to mind in recent history)<\/strong> American architecture seems to lack the creative edge seen in places like Singapore, Japan, Denmark, and China. The lack of innovation goes beyond aesthetics into energy efficiency, resource harvesting and conservation. Many new American firms refuse to toe the boundaries already broken by international counterparts.<\/p>\n

Some believe the cause is a lack of creativity on behalf of American clients and architects. An appreciation and pursuit of ingenuity has dwindled in our culture. Newsweek <\/em>ran an article<\/a> featuring the research of Kyung Hee Kim<\/a>, associate professor of educational psychology at the College of William & Mary. <\/em>Kim administered the Torrance Tests of Creative Thinking (TTCT) which measures three fields of creativity, with questions including topics such as art, mathematics, engineering, science, and interpersonal relationships. After studying the results of 300,000 American participant, Kim noticed a marked decline in creativity when comparing notes to past studies. The scores<\/a> for elaboration\u2014\u201c the ability to develop and elaborate upon ideas and detailed and reflective thinking [that] also indicates motivation to be creative\u201d\u2014dropped most significantly \u201cby 19.41% from 1984 to 1990, by 24.62% from 1984 to 1998, and by 36.80% from 1984 to 2008.\u201d According to the tests, the nation has lost the motivation to be creative. <\/em>As Kim sees it, \u201cThe recent decreases in creativity measures indicate a threat to national security.\u201d<\/p>\n

\"Young<\/a>
Young Centre – Kuwabara Payne McKenna Blumberg Architects, Toronto<\/figcaption><\/figure>\n

She stands corrected on a few fronts. In the past, American ingenuity propelled a young, inexperienced nation to stand as a world leader on the forefront of science, technology, and industry. Such haughty accolades seem to be slipping through our fingers by the day. Beyond walking with our heads held high, ingenuity leads to creative ways to solve daily problems. Without that creativity, our very cities are at risk.<\/p>\n

Brent Ryan<\/strong>, the Linde Career Development Assistant Professor of Urban Design and Public Policy in MIT\u2019s Department of Urban Studies and Planning believes that \u201cbolder, more distinctive civic projects can enhance the comparative advantages of cities as dense, diverse, lively places to live.\u201d In a recent interview<\/a> he explained that shrinking cities such as Detroit and Philadelphia need a boost in inventiveness to get back on track. Good design (not nearly functional design) shows residents that a city is moving forward; without visual representations of progressive thinking, \u201cit\u2019s harder for [residents] to see a development in their city that leads the way forward.\u201d Good design speaks to structures that inspire minds and solve problems: managing stormwater, recycling graywater, conserving and producing energy, and so fourth. Dying cities need buildings that cooperate with the surrounding environment and support healthy lifestyles for dwellers\u2019 instead of working against them both. To Ryan, innovation should extend beyond opera houses and high rises to \u201creunite a social agenda with a progressive design agenda.\u201d Without such a creative approach to building, struggling cities risk falling into further disarray.<\/p>\n

\"Interior<\/a>
Interior of Glaxo Smith Kline Admin building – Quebec By Coarchitecture<\/figcaption><\/figure>\n

Harboring a tradition of mediocre design may also threaten our nation by alienating the creative minds that we have with us. Frank X. Arvan<\/strong>, President of the American Institute of Architects in Detroit, issued a compelling letter<\/a> beseeching the community to re-evaluate the \u201clack of creative and exciting commissions for local architects.\u201d Arvan notes that without cooperation between local clients and local architects \u201cwe create an architectural ghetto that promotes mediocrity.\u201d The result is \u201cbrain drain,\u201d the departure of creative minds from an area where they cannot work to areas where they seem to flourish (in this case, abroad). A nation\u2019s reluctance to embrace and promote forward-thinking design potentially results in a creative exodus, leaving a void in our nation that we simply cannot afford to fill.<\/p>\n

A lack of creativity proves to be a threat to American security, indeed. When reflecting on her research, Kim noted that creative development begins in our formative years. To defeat its decline, we must re-evaluate the way that creativity is approached in the classroom, from pre-K to university level studies. Promoting innovative problem solving, inventiveness, and simply restoring our will to create are necessary to our nation\u2019s survival.<\/p>\n

Unfortunately, the dynamics of creativity are difficult to measure quantitatively, meaning that they will go unnoticed on standardized test. Under the current policies, what can\u2019t be measured on standardized tests will go ignored. Improving the future of architecture and similar creative fields requires a second look at the way that our schools asses student and teacher success. Our security as a nation depends on it.<\/p>\n

What efforts have you observed to burgeon creativity in the classroom and the community?<\/p>\n